Review: Mamoru Hosoda’s ‘Belle’ – An Ambitious, Big-hearted Production Makes it an Experience Worth Having

by Ruth Folorunso | 08 Feb 2022

‘The House’ Review

by Ben Mitchell | 14 Jan 2022

Projecting Our Images: LIAF 2021 Review

by Mara Frampton | 14 Dec 2021

Netflix’s Latest Australian-American Feature ‘Back to the Outback’: Review

by Martyn Warren | 06 Dec 2021

Disney’s 60th Animated Feature ‘Encanto’ Review

by Martyn Warren | 25 Nov 2021

Review: Kim Hye-mi’s ‘Climbing’

by Laura-Beth Cowley | 17 Nov 2021

Maya and the Three: Review

by Martyn Warren | 18 Oct 2021

My Little Pony: A New Generation Review

by Martyn Warren | 23 Sep 2021

LINOLEUM: A Unique Festival Experience in the Heart of Ukraine

by Aaron Wood | 22 Sep 2021

Vivo – the New Latin Inspired Musical from Sony Pictures Animation: Review & New Trailer

by Martyn Warren | 30 Jul 2021

The Animator’s Survival Kit – 20th Anniversary Short Guides Reviewed

by Steve Henderson | 26 Jul 2021

Film Review of Studio Ghibli’s First 3D Feature Film ‘Earwig and the Witch’

by Martyn Warren | 09 Jun 2021

‘Michael Dudok de Wit: A Life in Animation’ Book Review

by Ben Mitchell | 07 Jun 2021

Love Death + Robots: Season 2 Review

by Ruth Folorunso | 20 May 2021

‘The Mitchells vs. The Machines’ Review & Director Interview

by Laura-Beth Cowley | 04 May 2021

Book Review: ‘Grave of the Fireflies (BFI Film Classics)’

by Julia Young | 21 Apr 2021

Tulip – Interview with Creators Andrea Love and Phoebe Wahl

by Amy Baker | 08 Apr 2021

Cartoon Movie 2021 Report – Day Two

by Steve Henderson | 12 Mar 2021