Inaugural Get Animated ‘Business of Animation’ Conference Brings Licensing & Animation Industries Together

by Aaron Wood | 12 Oct 2023

“Of all the many crafts in Hollywood, animation was the last to unionize” – The Disney Revolt: Book Review

by Aaron Wood | 03 Oct 2023

The Boy and The Heron – Review

by Larry Fried | 12 Sep 2023

Ukrainian Feature ‘Mavka: The Forest Song’ in UK Cinemas Now: Review

by Martyn Warren | 31 Jul 2023

ANNECY 2023: Kensuke’s Kingdom Review

by Steve Henderson | 11 Jul 2023

ANNECY 2023: A Bleak Futuristic French Chef d’Oeuvre | Mars Express Review

by Kévin Giraud | 05 Jul 2023

ANNECY 2023: Nimona Review

by Ryan Gaur | 20 Jun 2023

ANNECY 2023: First Look at Genndy Tartakovsky’s FIXED

by Steve Henderson | 14 Jun 2023

Spider-Man: Across the Spider-Verse – Review

by Ryan Gaur | 02 Jun 2023

THE OLD MAN MOVIE: LACTOPALYPSE! Review

by Steve Henderson | 23 May 2023

FMX – Film & Media Exchange – 2023 Report

by Mat Clark | 09 May 2023

Feature Film Review: Titina – “A tale of little men and their little feelings in gigantic landscapes”

by Kévin Giraud | 14 Apr 2023

The Super Mario Bros. Movie Review – A Love Letter to the Love Letter to the Franchise

by Ryan Gaur | 11 Apr 2023

Cartoon Movie 2023 Report and Podcast

by Steve Henderson | 17 Mar 2023

Anima 2023 – From COVID to the World of Tomorrow

by Kévin Giraud | 15 Mar 2023

My Father’s Dragon: Review of the Latest Cartoon Saloon Feature

by Ryan Gaur | 13 Dec 2022

Guillermo del Toro & Mark Gustafson on bringing ‘Pinocchio’ to life | Interview + Review

by Ben Mitchell | 09 Dec 2022

Laws of Motion: London International Animation Festival 2022 Review

by Mara Frampton | 08 Dec 2022