Cinesite acquires Montreal studio L’Atelier Animation

by Skwigly | 20 Jul 2022

LINOLEUM 2022 Announces Competition Programme, Festival Theme & Official Trailer

by Skwigly | 20 Jul 2022

“Leave Me Alone, I’M FINE!” Ukrainians and British Initiate Joint Cultural Project on Emotional Burnout

by Aaron Wood | 18 Jul 2022

The Rubbish World of Dave Spud and ITV team up to bring workshops and animation to local children

by Skwigly | 15 Jul 2022

WildBrain captures global distribution rights to Harpercollins Productions’ ‘Carmen Sandiego’

by Skwigly | 14 Jul 2022

Will Child joins Blinkink talent roster

by Skwigly | 14 Jul 2022

Dandelooo Signs deal for preschool series ‘Petit’ and ‘Ella, Oscar & Hoo’

by Skwigly | 12 Jul 2022

Joseph Coelho – Newly Unveiled Waterstones Children’s Laureate To Deliver CMC 2022 Keynote

by Skwigly | 04 Jul 2022

Cardiff Animation Festival launches Planet Positive Animation Network to help the sector reach net zero

by Skwigly | 01 Jul 2022

ANIMARKT Stop Motion Forum 2022 Opens Submissions For Workshops And Pitching

by Aaron Wood | 30 Jun 2022

BlinkInk’s Renee Zhan directs new ad ‘The Gooniverse Factory’ for Trolli

by Skwigly | 29 Jun 2022

Illuminated Films and LMI agree deal for licensing of ‘The Rubbish World of Dave Spud’

by Skwigly | 29 Jun 2022

Lupus Films appoints Abigail Addison as new Training and Development Producer

by Skwigly | 28 Jun 2022

Lil Critter Workshop launches in the UK

by Skwigly | 28 Jun 2022

Film London Artists’ Moving Image Network Announce Animation Scheme for Young Black Animators in the UK

by Skwigly | 27 Jun 2022

Animation Café and WildBrain Spark partner on new ‘Sunny Bunnies Sing-Along’ series

by Skwigly | 22 Jun 2022

MIA Market Is Back With A Brand New Section Devoted To Animation

by Skwigly | 21 Jun 2022

Rowdy sign director Joseph Wallace

by Skwigly | 21 Jun 2022