‘Blind Willow, Sleeping Woman’ – Animated Adaptation of Short Stories by Haruki Murakami – Opening in UK Cinemas in March

by Skwigly | 12 Jan 2023

What Are UK Animation Professionals Getting Paid? She Drew That Release Findings from Their 2022 Salary Survey

by Aaron Wood | 11 Jan 2023

Gutsy Animations’ ‘Moominvalley’ secures season four greenlight

by Skwigly | 11 Jan 2023

❄️Skwigly’s Seasonal Playlist❄️

by Ben Mitchell | 23 Dec 2022

The Best Of The Best Have Been Trained: First Edition Of StopMoLab Program Is Finished

by Skwigly | 23 Dec 2022

Cardiff Animation Festival is back with a mini edition in March 2023

by Skwigly | 20 Dec 2022

Feature Film Prequel to A.A. Milne’s “WINNIE THE POOH” Announced by Baboon Animation

by Skwigly | 16 Dec 2022

Across the Spider-Verse Trailer + The Directors Speak!

by Steve Henderson | 14 Dec 2022

Nexus Studios, Gorillaz and Google to present two revolutionary immersive performances

by Skwigly | 10 Dec 2022

Apple TV+ unveils trailer for animated short ‘The Boy, the Mole, the Fox, and the Horse’

by Skwigly | 09 Dec 2022

The Media Pioneers announce new deals for 2022

by Skwigly | 07 Dec 2022

Trailer released for Magic Light’s ‘The Smeds and the Smoos’

by Skwigly | 02 Dec 2022

Oswald the Lucky Rabbit Stars In An New Short to Celebrate Disney 100 Years of Wonder

by Aaron Wood | 01 Dec 2022

2023 Kidscreen Awards announce shortlist nominees

by Skwigly | 30 Nov 2022

Chatrone Produces First Netflix Brazilian Children’s Animated TV show “O Menino Maluquinho” (The Nutty Boy)

by Skwigly | 23 Nov 2022

Nexus Studios and Johnny Kelly’s ‘The Monster’ inspires conscious consumption for Back Market

by Skwigly | 22 Nov 2022

Animation UK and UK Screen Alliance Welcome Consultation into Screen Sector Tax Reliefs

by Skwigly | 20 Nov 2022

And the Manchester Animation Festivals 2022 Winners Are…

by Skwigly | 20 Nov 2022