Tenth Annual CEE Animation Forum Starts Next Week

by Skwigly | 27 Oct 2022

Blue Zoo and Plug-In Media create new regional studio Brighton Zoo

by Skwigly | 25 Oct 2022

ANIMARKT Stop Motion Forum 2022 Announces Program

by Skwigly | 25 Oct 2022

New Trailer & Poster For Disney’s Action-Packed Adventure “Strange World”

by Skwigly | 24 Oct 2022

Saffron Cherry’s Award Winning ‘The World According To Grandpa’ Returns To Channel 5’s Milkshake

by Skwigly | 24 Oct 2022

WIA Announces 2023 Scholarship Program Industry Partners

by Skwigly | 21 Oct 2022

ACCESS:VFX launches new European chapter with sponsorship from Netflix

by Skwigly | 20 Oct 2022

All Interviews and Films from I’M FINE! Project Now Online, as Project Nears End

by Aaron Wood | 20 Oct 2022

Aardman Academy Launches University Partnership Programme

by Skwigly | 13 Oct 2022

‘Fête du Cinéma d’Animation’ Events & Screenings Taking Place Throughout October in London

by Aaron Wood | 13 Oct 2022

Zinkia grows with Pocoyo and unveils new projects

by Skwigly | 12 Oct 2022

Get career advice from an award-winning Animation studio, Blue Zoo

by Skwigly | 12 Oct 2022

Apple Original Films lands animated short film ‘The Boy, the Mole, the Fox and the Horse’

by Skwigly | 11 Oct 2022

Trailer & key art released for Netflix’s ‘ONI: Thunder God’s Tale’

by Ben Mitchell | 07 Oct 2022

Omens Studios strengthens UK creative and business teams

by Skwigly | 06 Oct 2022

Report: AnimaSyros 2022 – An Intimate Greek Festival Experience

by Aaron Wood | 05 Oct 2022

CEE Animation Forum Unveils Official Selection And Opens Accreditations

by Skwigly | 04 Oct 2022

Serious Kids scoop up distribution rights for ‘The Ghastly Ghoul’

by Skwigly | 30 Sep 2022