Open Call 4 – SAR24 Residency

by Skwigly | 27 Oct 2023

New Logo, Spotlight on Sci-Fi, Digital Playground | Anima Brussels Festival Announce Changes

by Skwigly | 23 Oct 2023

She Drew That UK Animation Salary Rate Survey 2023 Now Open

by Skwigly | 20 Oct 2023

Polish Director, Martyna Koleniec, Releases Trailer for Debut Feature Film After ANIMARKT Award

by Skwigly | 13 Oct 2023

Fête du Cinéma d’Animation Back for 22nd Edition at London’s Ciné Lumière

by Skwigly | 12 Oct 2023

First look at BBC and Magic Light’s ‘Tabby McTat’ unveiled

by Skwigly | 12 Oct 2023

Ukraine’s Glowberry Hurries to MIPCOM with Brand-New Series ‘Mom Hurries Home’

by Aaron Wood | 12 Oct 2023

Kedoo Entertainment taps Charlotte Thorp as EVP & Head of Distribution, Sales & Acquisitions

by Skwigly | 11 Oct 2023

WATCH: Kong Studio’s ‘Hairy Houdini’ is released into the wild

by Skwigly | 10 Oct 2023

The Animation Showcase unveils its 2023 Best Animated Short Collection

by Skwigly | 09 Oct 2023

‘A Year or Birds’ / ‘Over and Out’ / ‘Uka Uka’ Take Top Prizes at ANIMARKT Stop Motion Forum 2023

by Aaron Wood | 09 Oct 2023

Poster released for upcoming BFI-funded stop-motion short ‘Two Black Boys in Paradise’

by Melanie Cionco | 05 Oct 2023

Women Mentor Programme & Green Future Of Animation | Animarkt Stop Motion Forum Announces Programme

by Aaron Wood | 29 Sep 2023

TRC announces the return of Reset traineeship for new entrants to the Animation, VFX and Games sector

by Skwigly | 26 Sep 2023

Canadian films sweep top prizes at Ottawa International Animation Festival 2023

by Skwigly | 25 Sep 2023

7 animated shorts among newly announced NFB projects in production

by Ben Mitchell | 21 Sep 2023

ANIMASYROS Release Full Programme of 2023 Festival: Tributes, Competitions, Social Events

by Skwigly | 21 Sep 2023

2024 BAAs Open for Entry with Major New Category for Best International Animated Series

by Skwigly | 21 Sep 2023