British Animation Awards Preview: All-Women Best Undergraduate Finalists

by Aaron Wood | 05 Mar 2020

Tom and Jerry’s 80th Anniversary: The Creatives Who Made and Remade the Comedy Duo

by Martyn Warren | 04 Mar 2020

The NFB launch new animated web-series “The Great List of Everything”

by Ben Mitchell | 02 Mar 2020

Annecy Unveil 2020 Poster

by Steve Henderson | 26 Feb 2020

Women In Animation announces recipients of 2020 WIA Scholarships

by Skwigly | 24 Feb 2020

Pinocchio’s Diamond Anniversary: 80 Years of a Classic Animated Masterpiece

by Martyn Warren | 19 Feb 2020

Are You Paid the Right Amount for Your Work? Negotiating Pay & the Gender Pay Gap in Animation and VFX

by Lee Lucy | 18 Feb 2020

Stuttgart International Festival of Animated Film release first Programme Highlights

by Skwigly | 17 Feb 2020

The Decade Britain Got Animated Part 2: Taxing Stuff

by Steve Henderson | 13 Feb 2020

Cosmos-Maya to co-produce ‘Dogtanian and the Three Muskehounds’ feature film with Apolo Films

by Ben Mitchell | 12 Feb 2020

Q&A with Joanna Hepworth, Animation Director on ‘Love Monster’

by Ben Mitchell | 07 Feb 2020

The Current State of Stop-Motion is Looking Rosy: MOMAKIN Give Their Perspective

by Skwigly | 06 Feb 2020

Cardiff Animation Festival announces Official Selection

by Skwigly | 06 Feb 2020

Podcast: Elizabeth Hobbs (“I’m OK”)

by Ben Mitchell | 06 Feb 2020

Nexus Studios and Sam Southward create animated spot for Milka

by Skwigly | 04 Feb 2020

The Hilarious, Downtrodden and Impactful Legacy of Bojack Horseman

by Martyn Warren | 29 Jan 2020

Animation Rewind: Ten Years, Ten Big changes

by Nathan Wilkes | 16 Jan 2020

Inclusion & Diversity in UK Animation Workforce: A Response

by Tanya Scott | 15 Jan 2020