Escape to the Career of your Dreams!

by Skwigly | 23 Feb 2022

Next Lab Second Edition: A Pioneering Event Focused On Animation And VR

by Skwigly | 21 Feb 2022

Flee – Review

by Steve Henderson | 19 Feb 2022

An Intense Training Programme to Tackle the Shortage of Animation Production Managers in the UK

by Skwigly | 16 Feb 2022

Kong Studio create animated sequences for new series ‘Billy Connolly Does’

by Skwigly | 15 Feb 2022

Cardiff Animation Festival announces 2022 official selection

by Skwigly | 15 Feb 2022

Women In Animation announces recipients of 2022 WIA Scholarships

by Skwigly | 11 Feb 2022

WATCH: Nicolas Ménard and Manshen Lo’s elegant title sequence for Netflix’s ‘The House’

by Skwigly | 11 Feb 2022

Finalists announced for 2022 British Animation Awards

by Skwigly | 10 Feb 2022

Interview: Britt Raes Discusses Charming Second Short Film “Luce and the Rock”

by Aaron Wood | 09 Feb 2022

Miyu Distribution launches new YouTube channel BANG BANG

by Ben Mitchell | 04 Feb 2022

NETFLIX Unveil Preview of Animated Films for 2022

by Steve Henderson | 03 Feb 2022

2022 BAFTA Nominations Announced

by Steve Henderson | 03 Feb 2022

WarnerMedia OneFifty acquires ‘Namoo’ for HBO Max

by Skwigly | 26 Jan 2022

Teaser for Guillermo del Toro’s ‘Pinocchio’ released

by Ben Mitchell | 24 Jan 2022

UK Government Scrap BFI Young Audiences Content Fund

by Steve Henderson | 24 Jan 2022

Turning Red: What is Worthy of Cinema?

by Ryan Gaur | 24 Jan 2022

Blinkink’s Jac Clinch directs ‘Here Comes Crow’ for Police Dog Hogan

by Skwigly | 21 Jan 2022