Annecy 2022: A Conversation with Amanda Forbis & Wendy Tilby (‘The Flying Sailor’)

by Ben Mitchell | 15 Jun 2022

Annecy 2022: Across the Spider-Verse – First Look

by Steve Henderson | 13 Jun 2022

Annecy 2022: Q&A with Terril Calder (‘Meneath’)

by Ben Mitchell | 13 Jun 2022

Podcast: “Lightyear” and “The Bob’s Burgers Movie”

by Ben Mitchell | 10 Jun 2022

Netflix Sets Bold Slate Of Animated Series And Films From Europe

by Aaron Wood | 09 Jun 2022

Magical Caresses: Podcast interview with Lori Malépart-Traversy

by Ben Mitchell | 07 Jun 2022

Women in Animation World Summit at Annecy – Program Announcement

by Skwigly | 06 Jun 2022

Interview with ‘Inside No. 9’ Animation Director Sam O’Leary

by Laura-Beth Cowley | 06 Jun 2022

Blink Industries create animation for ‘Inside No. 9’ series 7 finale ‘Wise Owl’

by Skwigly | 01 Jun 2022

Magic Light’s ‘Pip and Posy’ recommissioned for second series

by Skwigly | 01 Jun 2022

“The Bob’s Burgers Movie” – interview with Loren Bouchard, Nora Smith and Bernard Derriman

by Laura-Beth Cowley | 27 May 2022

Trailer released for Netflix series ‘Dead End: Paranormal Park’

by Ben Mitchell | 24 May 2022

Magic Light Pictures to adapt ‘The Smeds and the Smoos’ for Christmas 2022 + cast reveal

by Skwigly | 16 May 2022

Love Death + Robots V3 trailer debut, director & episode list reveal

by Ben Mitchell | 09 May 2022

WATCH: Smith & Foulkes celebrate the richness of Emirati culture in ‘Dreaming Together’

by Skwigly | 09 May 2022

WIA & FIAPF select 6 delegates for Stories x Women

by Ben Mitchell | 06 May 2022

Blinkink’s Stevie Gee & Essy May visualise ‘Urethane’ for The Range

by Skwigly | 26 Apr 2022

Can Lightyear Avoid Overfamiliarity?

by Ryan Gaur | 26 Apr 2022