“That’s the business model of animation in this country: it’s a race to the bottom” – Understanding Creativity Without a Voice

by Melanie Cionco | 30 Nov 2022

The Smeds and The Smoos – Producers Barney Goodland & Michael Rose Talk Latest Magic Light Pictures Christmas Special

by Martyn Warren | 28 Nov 2022

Watch: Trailer for Guillermo del Toro’s ‘Pinocchio’

by Ben Mitchell | 09 Nov 2022

Henry Selick (Wendell & Wild) Podcast Interview

by Ben Mitchell | 27 Oct 2022

Pinocchio: Interview with Puppet Supervisor Georgina Hayns & Production Designer Guy Davis

by Laura-Beth Cowley | 18 Oct 2022

Get career advice from an award-winning Animation studio, Blue Zoo

by Skwigly | 12 Oct 2022

Trailer & key art released for Netflix’s ‘ONI: Thunder God’s Tale’

by Ben Mitchell | 07 Oct 2022

Netflix reveal trailer and new images for Nora Twomey’s ‘My Father’s Dragon’

by Ben Mitchell | 29 Sep 2022

First image revealed for new Magic Light special ‘The Smeds and The Smoos’

by Skwigly | 29 Sep 2022

Manchester Animation Festival release 2022 programme

by Skwigly | 22 Sep 2022

Aardman’s ‘Lloyd of the Flies’ – new trailer + podcast interview!

by Ben Mitchell | 20 Sep 2022

First teaser trailer for ‘Wendell & Wild’ released

by Ben Mitchell | 06 Sep 2022

We Can’t Keep Letting Businessmen Decide What Art Can Exist

by Ryan Gaur | 30 Aug 2022

The National Film Board of Canada marks the passing of Gerald Potterton

by Skwigly | 25 Aug 2022

Get career advice from motion designers who have worked for Redbull, Apple and MTV

by Skwigly | 09 Aug 2022

‘Christopher at Sea’ – new work from Tom C J Brown to premiere at Venice Film Festival

by Skwigly | 02 Aug 2022

Blinkink’s Stevie Gee & Essy May create a mixed media mini-extravaganze for Amazon Music

by Skwigly | 02 Aug 2022

‘Cracker Island’ – Fx Goby & Jamie Hewlett team up for new Gorillaz music video

by Skwigly | 29 Jul 2022