A+C Studios announce new directorial roster

by Skwigly | 28 Mar 2023

Studio AKA create Scottish Gov health PSA ‘Be the Early Bird’

by Ben Mitchell | 23 Mar 2023

Cinémathèque québécoise announces 2023 Animation Residency cohort

by Skwigly | 23 Mar 2023

Cartoon Movie 2023 Report and Podcast

by Steve Henderson | 17 Mar 2023

International Women’s Day: 2023 Roundup

by Ben Mitchell | 08 Mar 2023

Nexus Studios signs rising star Bonnie Taylor Forsyth to their commercial directorial roster

by Skwigly | 03 Mar 2023

Voice in the Hollow: Pushing Indie Horror and African Talent to the Next Level

by Melanie Cionco | 21 Feb 2023

Remembering The Wombles: 50 Years of Ivor Wood’s Classic Series

by Martyn Warren | 15 Feb 2023

Women In Animation announces recipients of 2023 WIA Scholarships

by Skwigly | 13 Feb 2023

‘Turning Red’ | Q&A with Domee Shi

by Ryan Gaur | 07 Feb 2023

Aardman and Cartoon Saloon among top-tier animation studios for ‘Star Wars: Visions’ Volume 2

by Ben Mitchell | 03 Feb 2023

Joel Crawford and Mark Swift on ‘Puss In Boots: The Last Wish’

by Ryan Gaur | 03 Feb 2023

The Animation Showcase release Oscar® shortlisted films to industry professionals and students

by Skwigly | 16 Jan 2023

❄️Skwigly’s Seasonal Playlist❄️

by Ben Mitchell | 23 Dec 2022

Interview – The Boy, The Mole, The Fox and the Horse

by Steve Henderson | 21 Dec 2022

Across the Spider-Verse Trailer + The Directors Speak!

by Steve Henderson | 14 Dec 2022

Guillermo del Toro & Mark Gustafson on bringing ‘Pinocchio’ to life | Interview + Review

by Ben Mitchell | 09 Dec 2022

Trailer released for Magic Light’s ‘The Smeds and the Smoos’

by Skwigly | 02 Dec 2022