Articles - Skwigly Animation Magazine

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2022 BAFTA Award Winners: Encanto and Do Not Feed the Pigeons Scoop Top Prizes

by Calum Peissel | 15 Mar 2022

BFI present a major two-month Anime season from 28 March – 31 May 2022

by Aaron Wood | 15 Mar 2022

An Ostrich Told Me the World is Fake and I Think I Believe It

Winners Take it All at this Years Animation Dingle Awards

by Skwigly | 14 Mar 2022

Netflix unveil ‘Wendell & Wild’ voice cast

by Ben Mitchell | 14 Mar 2022

Skwigly Animation Podcast – 2022 BAA Special

Skwigly Podcast | 14 Mar 2022

Polish/UK/German Produced Serues ‘Odo’ Fights for The Annie Awards

by Skwigly | 11 Mar 2022

Winners announced for the 2022 British Animation Awards

by Skwigly | 11 Mar 2022

Cardiff Animation Festival announces its full programme for April 2022

by Skwigly | 10 Mar 2022

BAA Regional Focus – Scotland

by Laura-Beth Cowley | 09 Mar 2022

Nexus Studios welcomes Director Alex Grigg to their commercial roster

by Skwigly | 09 Mar 2022

Turning Red – Review

by Steve Henderson | 08 Mar 2022

BAA Regional Focus – Bristol

by Ben Mitchell | 08 Mar 2022

HUNT

Dir: Luke Hyde|2021 | 07 Mar 2022

BAA Regional Focus – Manchester and the North-West

by Steve Henderson | 07 Mar 2022

BAA Regional Focus – Cardiff and Wales

by Ben Mitchell | 05 Mar 2022

Is Turning Red Set to Turn the Tide for Pixar?

by Steve Henderson | 03 Mar 2022

Cosm Studios to distribute Erick Oh’s acclaimed animated short ‘Namoo’

by Skwigly | 01 Mar 2022

Animation Dingle a Virtual Treat for 2022

Animation Dingle, a Virtual Treat, for 2022

by Skwigly | 01 Mar 2022

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