Articles - Skwigly Animation Magazine

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LINOLEUM 2022 Announces Competition Programme, Festival Theme & Official Trailer

by Skwigly | 20 Jul 2022

The Secret of NIMH: 40 Years Of Don Bluth’s Magic

by Martyn Warren | 19 Jul 2022

“Leave Me Alone, I’M FINE!” Ukrainians and British Initiate Joint Cultural Project on Emotional Burnout

by Aaron Wood | 18 Jul 2022

Maplesquire Soup

Dir: Luke Mason|2021 | 15 Jul 2022

Fredrikstad Animation Festival unveil 2022 Nordic-Baltic Competition Programme

by Skwigly | 15 Jul 2022

The Rubbish World of Dave Spud and ITV team up to bring workshops and animation to local children

by Skwigly | 15 Jul 2022

WildBrain captures global distribution rights to Harpercollins Productions’ ‘Carmen Sandiego’

by Skwigly | 14 Jul 2022

Will Child joins Blinkink talent roster

by Skwigly | 14 Jul 2022

Ulrich Wegenast leaves Film- und Medienfestival gGmbH (ITFS Stuttgart, Raumwelten Ludwigsburg)

by Skwigly | 13 Jul 2022

Festival Stop Motion Montreal returns to the big screen for its 14th edition!

by Aaron Wood | 13 Jul 2022

Dandelooo Signs deal for preschool series ‘Petit’ and ‘Ella, Oscar & Hoo’

by Skwigly | 12 Jul 2022

Perivale – Canning Soon

Dir: This Thing of Ours|2021 | 05 Jul 2022

Joseph Coelho – Newly Unveiled Waterstones Children’s Laureate To Deliver CMC 2022 Keynote

by Skwigly | 04 Jul 2022

Prof. Andreas Hykade steps down as the director of Animationsinstitut

by Skwigly | 04 Jul 2022

Student films dominate Fest Anča 2022 Award Winners

by Skwigly | 04 Jul 2022

Cardiff Animation Festival launches Planet Positive Animation Network to help the sector reach net zero

by Skwigly | 01 Jul 2022

ANIMARKT Stop Motion Forum 2022 Opens Submissions For Workshops And Pitching

by Aaron Wood | 30 Jun 2022

BlinkInk’s Renee Zhan directs new ad ‘The Gooniverse Factory’ for Trolli

by Skwigly | 29 Jun 2022

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