Articles - Skwigly Animation Magazine

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Animasyros 2022, the Largest Festival of its Kind in Greece, is Open for Film Submissions

by Skwigly | 21 Mar 2022

Applications Now Open for New Stop Motion Training Initiative: StopMoLab

by Skwigly | 20 Mar 2022

‘Gremlins: Secrets of the Mogwai’ to premiere at Annecy 2022

by Skwigly | 18 Mar 2022

Podcast interview with Alberto Mielgo (‘The Windshield Wiper’)

by Ben Mitchell | 18 Mar 2022

35 Projects Selected for the 2022 Animation Production Days

by Skwigly | 17 Mar 2022

Popeye and Olive Oyl from The Super Duper Market (Jack Kinney, 1960)

Popeye the Sailor: The 1960s TV Cartoons – New Book Charts the Animated History of Popeye

by Skwigly | 15 Mar 2022

2022 BAFTA Award Winners: Encanto and Do Not Feed the Pigeons Scoop Top Prizes

by Calum Peissel | 15 Mar 2022

BFI present a major two-month Anime season from 28 March – 31 May 2022

by Aaron Wood | 15 Mar 2022

An Ostrich Told Me the World is Fake and I Think I Believe It

Winners Take it All at this Years Animation Dingle Awards

by Skwigly | 14 Mar 2022

Netflix unveil ‘Wendell & Wild’ voice cast

by Ben Mitchell | 14 Mar 2022

Polish/UK/German Produced Serues ‘Odo’ Fights for The Annie Awards

by Skwigly | 11 Mar 2022

Winners announced for the 2022 British Animation Awards

by Skwigly | 11 Mar 2022

Cardiff Animation Festival announces its full programme for April 2022

by Skwigly | 10 Mar 2022

BAA Regional Focus – Scotland

by Laura-Beth Cowley | 09 Mar 2022

Nexus Studios welcomes Director Alex Grigg to their commercial roster

by Skwigly | 09 Mar 2022

Turning Red – Review

by Steve Henderson | 08 Mar 2022

BAA Regional Focus – Bristol

by Ben Mitchell | 08 Mar 2022

BAA Regional Focus – Manchester and the North-West

by Steve Henderson | 07 Mar 2022

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