Articles - Skwigly Animation Magazine

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Omens Studios strengthens UK creative and business teams

by Skwigly | 06 Oct 2022

Animated ‘Beachcombers’ Series in Development on B.C.’s Sunshine Coast with Industry Veterans

by Skwigly | 05 Oct 2022

Report: AnimaSyros 2022 – An Intimate Greek Festival Experience

by Aaron Wood | 05 Oct 2022

CEE Animation Forum Unveils Official Selection And Opens Accreditations

by Skwigly | 04 Oct 2022

Weird Market Announces the Awards of Its 14th Edition

by Skwigly | 03 Oct 2022

Hi! How are You? – Gaïa Grandin-Mendzylewski Interview | I’M FINE! – UK/Ukraine Season

by Aaron Wood | 03 Oct 2022

Serious Kids scoop up distribution rights for ‘The Ghastly Ghoul’

by Skwigly | 30 Sep 2022

DaniMation Returns for Animation Camp for Autistic Students to UK: Interview with Dani Bowman, Joe Westlake, Sandy Vielma

by Martyn Warren | 30 Sep 2022

Netflix reveal trailer and new images for Nora Twomey’s ‘My Father’s Dragon’

by Ben Mitchell | 29 Sep 2022

First image revealed for new Magic Light special ‘The Smeds and The Smoos’

by Skwigly | 29 Sep 2022

Lightbox Expo Returns with Over 500 Guests, Including Co-Director Of Brave, Creator Of Dinotopia, Co-Director Of Hair Love

by Skwigly | 28 Sep 2022

WildBrain draws up distribution deals for ‘The Brilliant World of Tom Gates’ series and specials

by Skwigly | 27 Sep 2022

CEE Animation Workshop 2023: Call for Entries Is Open

by Skwigly | 27 Sep 2022

Stop-Motion Pioneer Henry Selick to Present Netflix’s Wendell & Wild at VIEW Conference 2022

by Skwigly | 27 Sep 2022

MIA About to Launch New Animation Pitching Forum & Co-Pro Market in Italy

by Skwigly | 27 Sep 2022

Manchester Animation Festival release 2022 programme

by Skwigly | 22 Sep 2022

Drifting Home: Review

by Isaac Wong | 21 Sep 2022

Aardman’s ‘Lloyd of the Flies’ – new trailer + podcast interview!

by Ben Mitchell | 20 Sep 2022

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