Articles - Skwigly Animation Magazine

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Łódź Made Puppets for Autism Related Film “Lola and the Sound Piano” Ready for Production

by Skwigly | 30 Jan 2023

Jorge R. Gutierrez Designs Annecy 2023 Festival Poster, Celebrating Mexican Animation

by Skwigly | 30 Jan 2023

Next Lab Generation 2023 Jury Revealed

by Skwigly | 26 Jan 2023

Nancy Denney-Phelps receives Giannalberto Bendazzi Award at PIAFF 2023

by Ben Mitchell | 26 Jan 2023

2023 Oscar® nominations announced

by Skwigly | 24 Jan 2023

Anima Brussels 2023

The Anima 2023 Programme Is Online!

by Skwigly | 24 Jan 2023

Factory partners with Nickelodeon on ‘The Tiny Chef Show’

by Skwigly | 24 Jan 2023

The Rubbish World Of Dave Spud Returns For A Third Series

by Skwigly | 19 Jan 2023

The Animation Showcase release Oscar® shortlisted films to industry professionals and students

by Skwigly | 16 Jan 2023

Animist Tallinn has opened the call for entries 2023

by Skwigly | 16 Jan 2023

BFI Young Audiences Content Fund final evaluation released

by Aaron Wood | 13 Jan 2023

‘Blind Willow, Sleeping Woman’ – Animated Adaptation of Short Stories by Haruki Murakami – Opening in UK Cinemas in March

by Skwigly | 12 Jan 2023

Still from OINK Stop Motion Feature film

OINK Will Open the Children’s Film Programme at Anima 2023

by Skwigly | 12 Jan 2023

What Are UK Animation Professionals Getting Paid? She Drew That Release Findings from Their 2022 Salary Survey

by Aaron Wood | 11 Jan 2023

Gutsy Animations’ ‘Moominvalley’ secures season four greenlight

by Skwigly | 11 Jan 2023

Edinburgh Short Film Festival 2023 Open For Entries: International Showcases & Awards

by Skwigly | 03 Jan 2023

❄️Skwigly’s Seasonal Playlist❄️

by Ben Mitchell | 23 Dec 2022

The Best Of The Best Have Been Trained: First Edition Of StopMoLab Program Is Finished

by Skwigly | 23 Dec 2022

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