Articles - Skwigly Animation Magazine

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Dandelooo & Ooolala go ambitious to build sustainable low carbon productions

by Skwigly | 08 Feb 2023

Kids Kino Industry Opens Its 2023 Call for Projects

by Skwigly | 07 Feb 2023

‘Turning Red’ | Q&A with Domee Shi

by Ryan Gaur | 07 Feb 2023

Submissions to the jubilee edition of the LINOLEUM festival are now open

by Skwigly | 06 Feb 2023

WildBrain takes ‘Summer Memories’ on a global adventure

by Skwigly | 06 Feb 2023

CHEEZ and NUGGET Series to be Produced by Baboon, Fonda Snyder and Zaslansky&Holzer

by Skwigly | 05 Feb 2023

Aardman and Cartoon Saloon among top-tier animation studios for ‘Star Wars: Visions’ Volume 2

by Ben Mitchell | 03 Feb 2023

Film Programme & Animation Nominees Announced for BFI Future Film Festival at BFI Southbank and Online

by Skwigly | 03 Feb 2023

Joel Crawford and Mark Swift on ‘Puss In Boots: The Last Wish’

by Ryan Gaur | 03 Feb 2023

Cinesite to deliver CGI animation for new Nickelodeon/Paramount ‘Smurfs’ feature film

by Skwigly | 02 Feb 2023

WildBrain CPLG powers up representation deal for ‘Petronix Defenders’ from Mediawan Kids & Family

by Skwigly | 02 Feb 2023

APC Kids & TeamTO partner on action-comedy series ‘Jade Armor’

by Skwigly | 01 Feb 2023

Future-forward media company Lunar X acquires Sunnyside Up Studios

by Skwigly | 01 Feb 2023

WildBrain inks global distribution deal for ‘Ray of Sunshine’

by Skwigly | 01 Feb 2023

Hulu Orders ‘King of the Hill’ Reboot from original co-creators Mike Judge and Greg Daniels and 20th Television Animation

by Skwigly | 31 Jan 2023

RENDR Festival welcomes award-winning animators to speaker lineup

by Skwigly | 31 Jan 2023

The Princess of Wales launches animated awareness campaign ‘Shaping Us’

by Skwigly | 31 Jan 2023

Kids First secures new raft of sales for ‘Hello Kitty: Super Style!’

by Skwigly | 31 Jan 2023

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