Articles - Skwigly Animation Magazine

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Amuse Animation opens China office

by Skwigly | 31 May 2023

Millimages appoints new Development Manager

by Skwigly | 31 May 2023

Children’s 3D Craft Adventure TV series ‘Pop Paper City’ wins Royal Television Society Award

by Skwigly | 26 May 2023

Laloux & Topor’s Beautiful World: The 50th Anniversary of Fantastic Planet

by Martyn Warren | 26 May 2023

Aardman Produces ‘Pint-Sized Perfection’ Commercial For Thatchers Cider

by Skwigly | 25 May 2023

Animarkt Stop Motion Submissions For Pitching Section Open Only For One More Week – 31st May

by Aaron Wood | 25 May 2023

Netflix unveils premiere date and voice cast for ‘Skull Island’

by Ben Mitchell | 24 May 2023

Kunda Kids announces ‘Kunda & Friends’ YouTube series

by Skwigly | 23 May 2023

THE OLD MAN MOVIE: LACTOPALYPSE! Review

by Steve Henderson | 23 May 2023

Pink Parrot Media’s ‘Unstable’ saddles up international partners

by Skwigly | 23 May 2023

Nimona: Teaser and images released

by Ben Mitchell | 18 May 2023

Rising of Lusitania – AnimaDoc Film Festival CALL FOR ENTRIES | Deadline 18 July

by Skwigly | 18 May 2023

Award-Winning Filmmakers To Appear In Person At VIEW Conference 2023: Stop-Motion Legend Henry Selick, Lucasfilm’s Doug Chiang and ILM’s Hal Hickel

by Skwigly | 15 May 2023

FIAPF and WIA select delegations for second edition of Stories x Women

by Skwigly | 13 May 2023

Studio 100 Film to showcase “Giants Of La Mancha” at Marche Du Film in Cannes

by Skwigly | 11 May 2023

Magic Light and the BBC announce Tabby McTat, a star-studded animation by Julia Donaldson and Axel Scheffer

by Skwigly | 11 May 2023

Wonderworld.Fun launches with bold new vision for animation

by Skwigly | 10 May 2023

World premiere of Terril Calder’s NFB installation ‘Meneath: The Mirrors of Ethics’ at Tribeca

by Skwigly | 10 May 2023

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